Outsider: Man – Art is Life

Source: Man – Art is Life

Man – Art is Life is way more patient than we are. All the mural joiners we never had the time or the courage to do, he did them, even the walls we painted in the darkest corners of the building. Here are some of the joiners and photographic collages he brought back from the Mausoleum.

Fléo + Swiz + Lek + Sowat

L’outsider + Swiz + Boyane + Lek

Man – Art is Life est plus patient que nous. Tous les montages de fresque que nous n’avons jamais eu le temps ni le courage de faire, il les a fait, que ce soit à l’air libre ou dans le noir le plus complet. Voici quelques uns de ses montages et collages photgraphiques ramenés du Mausolée.


Lek + Sowat

Apotre + Lek + Sowat

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Insider View: Thias Part 10

Source: Thias
Un vestige du mercantilisme tremble sous le périf’. Il grelotte, ouvert aux quatre vents, loin des lustres du commerce. Il n’appâte plus le client…
Brûlé à vif, il abrite ceux qui se terrent. Les exclus s’y cachent, sans papier, sans pays, sans véritable lit. Mais de là aussi, ils en sont exclus…
L’abandon d’un immense tombeau vide ! Un sanctuaire bientôt. Le mausolée d’une culture qu’on enterre et qu’on célèbre, qu’on bénit et qu’on dépasse. Une offrande picturale au temps des grottes modernes.


Fatcap covering: Lek and Sowat’s Mausoleum

Source: Chrixcel

In 2010 Lek discovers an abandoned supermarket condemned to demolition. This spot with no tag at all is a godsend and leads to the “Mausolée” project.

The Mausoleum at the time of ‘Immaculate Conception’ – Photo : ClickClaker

Lek & Sowat are the first to invest this place, situated very next to Paris, with some other fellow writers. Very soon they both have the idea to turn it into an artistic illegal residence inside which some graffiti artists and photographers (40 painters for 40,000 m²) will be invited to play a part in the evolution of what will become the “Mausoleum”.

A few months later, a gorgeous book is released (Editions Alternatives), and the secret that was kept so well during all this time is brought to light.

The choice of a French editor was symbolical, says Sowat : « The project took place in Paris, with French artists, in a building which was squatted and cleared out by the police, so in a way it reflected a French social, political and human drama. The traces of life we found inside, the writings on the walls, the abandoned letters and schoolbooks were mostly in French. There was no sense for us to try to convince a foreign editor. As we already knew Alternatives as we worked with them for previous books, we knew they were not the kind of editor to lay a hand on the contents to the detriment of the project”.

Coming out of a meeting at the end of October 2011 with Charlotte Gallimard, Head of Alternatives, things went very fast. After non-stop work, the book was published 6 months later.

The FatCap team also wanted to visit this playground to share with you what can be considered as an authentic underground museum.

A view of the roof with Apotre, Lek & Sowat

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